Middlebury Magazine

  • Recent Stories
  • Menu
    • Features
    • Essays
    • Q&A
    • Podcasts
    • Review
    • Videos
    • About
    • Advertising
    • Contact
    • Support
    • Writers’ Guidelines
  • Search

Review

Finding Redemption

A fractured sibling relationship becomes even more complicated when one sibling dies and leaves a shocking bequest.

By Sara Thurber Marshall
Cover art by C’est Beau Designs
March 24, 2026
  • Facebook icon
  • Twitter icon
  • Email icon

Paul Scheufele ’80 has published his first novel, Damaged Goods, a story about family relationships, ethical dilemmas, and redemption. The narrative follows Brendan O’Shay, a high-powered Wall Street trader during the 2008 global financial crisis, who must deal with issues not only at work but also in his family as he struggles in his relationship with his estranged sister, Cassie. When Cassie dies suddenly, Brendan must explore his feelings about her in a completely unexpected way. Middlebury Magazine sat down with Scheufele for a Q&A about writing his novel.

You were on Wall Street for 25 years. Why did you leave?

I left Wall Street at age 52 because I felt financially secure enough and still young enough to pursue two life goals I developed while a student at Middlebury—teaching high school English and writing a novel.

How did you get started on a novel?

I built the novel off a short story that I wrote for my very first writing workshop at the Fine Arts Work Center in Provincetown, Massachusetts. It was about a conflict between adult siblings, Brendan and Cassie O’Shay. During that workshop, I was given enough encouragement to try to turn that into a novel. I began to look for an inciting incident, the piece of the novel that gives it narrative drive, and that became Brendan’s inheritance of his late sister’s frozen eggs. Once Cassie had passed away, I needed to enable Brendan’s reflections back on the brother/sister relationship in a way that he could gain some form of redemption.

Where did you get the frozen eggs idea?

It was serendipity, really. I was driving and listening to NPR. The radio show host was talking about the proliferation of frozen embryos in storage facilities around the country and the problem it was creating from moral, financial, and legal perspectives. And I thought, wow, I do like to deal with ethical dilemmas. I felt something like this could really work. I decided to use frozen eggs instead of frozen embryos because it gave me more alternatives as to which way the story could go.

What did you know about frozen eggs?

Nothing! I had to do a lot of research because I knew nothing about the in vitro fertilization process—the status of it or the state of it in the 1980s, when these eggs were frozen, or the viability of eggs lasting for over 20 years until they were actually utilized.

You had your story. What was the process you went through to write this novel?

It’s like you really have to believe in yourself, maybe even when you don’t believe in yourself. The process was a lot of work and setbacks, resilience, and continuing at it. I got a lot of feedback from instructors as well as classmates in workshops. I had never written long-form fiction, so I was learning how to do it as I went along.

Tell me how you developed the storyline. You really wanted to focus on the siblings, right?

Yes, I was aware that there are a lot of fractured sibling relationships. In this particular family, there’s intergenerational alcoholism, and I wanted to deal with how that impacts the children. I took the two, Brendan and Cassie, and wanted to show how one escapes that curse and the other succumbs to it. What happens to them as adults? It created a lot of conflict between them; they were estranged but then they tried to reconcile and it didn’t work. I was trying to find, beyond the difficulties, the good things that could come in these relationships. I wanted to deal with this idea of reconciliation after death and the experience of trying to decide what one does with the eggs of a deceased person who never had children. The idea of procreation after death really struck me as a profound thing to explore.

In Part Two, Memoir and Remembrance, the reader really gets to know Brendan and Cassie. How did you develop that section?

It was always my plan to show Brendan’s and Cassie’s backstories. However, I didn’t want to write the book in chronological order because it would take too long to reach the inciting incident of Brendan inheriting Cassie’s frozen eggs. I chose to use a story structure of present-day conflict, a backstory leading up to it, and then a return to the present-day resolution. I wrote it as a memoir that Cassie writes late in her life to give to her brother, so he can understand her experiences and emotions over the years. Once I had her story written, I tried to put myself in Brendan’s shoes. How would I react to receiving my sister’s memoir after her death? Since her memories are mostly episodic, I decided to have Brendan respond to Cassie’s life episodes with his own remembrances about his life then and his interactions with her.

How about the ending? Your resolution was quite unexpected.

I wasn’t sure how the story was going to end for most of the writing. There was a character I had introduced early in the novel, and then that character basically left the story. I realized I hadn’t written that subplot, and I needed to figure out if that character was going to be in the story or not. Once I made a decision, that character became essential to the conclusion of the story and to what Brendan ultimately does with his sister’s frozen eggs.

When did you feel like you had a viable novel?

I came to what I thought was the end of the story, and I passed it along to a college friend who has worked his whole career in the publishing industry. I was prepared for him to say it was a fun thing I had done, interesting, cute. But he said, “Wow, this thing really has potential. I think this could be a really good story. But it’s not there yet.” So I worked with one of my writing instructors who became my editor. That’s when it really started to blossom but also became rigorous and difficult in revising.

So you finished the novel and self-published it. How did you get the word out about it?

It’s funny because people would ask me, what’s your social media presence like? And I would say, zero. I don’t live in that world. But I’ve had to do it, get all the social media sites, post frequently. And it’s been unbelievable how many connections and reconnections I’ve made through the process. The Middlebury community has been really helpful. A number of people have had private book readings in their homes for me or sent out email blasts, things like that. And I have contacted a lot of bookstores around New England.

What’s next?

I have a second novel that will be coming out next year. This one went a lot more quickly than the first!

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recent Stories

Features

Pitch Perfect

Sarah Minahan ’14 finds success in the first professional woman’s rugby league in the U.S.

By Jane Dornbusch
Photograph by Robert Clark
February 1, 2026

In Conversation

Middlebury President Ian Baucom sits down for an extensive interview with magazine editor Matthew Jennings.

By Matthew Jennings
Photograph by Brett Simison
January 3, 2026

A Dog’s Life

A filmmaker takes us into the minds of the animals who are part of our families.

By Sara Thurber Marshall
Photographs by Randal Ford and Steve James
April 4, 2025

The Worrying Dude

Matthew J.C. Clark '04 is a writer and carpenter who defies convention

By Josh Billings ’03
Photographs by Tara Rice
April 3, 2025

Dispatches

What a Relief

A challenging restoration project taught students hands-on and problem-solving skills.

By Jessie Raymond '90
Photograph and Video by Brett Simison
March 3, 2026

Unattributed

A Middlebury professor reaches out for help solving a three-generation art mystery.

By Jessie Raymond '90
February 5, 2026

Words & Music

NPR dropped in on a German for Singers class designed to give language students an edge when competing for roles in German-language operas.

By Matt Jennings
Illustration by Edel Rodriguez
October 8, 2025

Horse Sense

Middlebury has a vibrant equestrian scene.

By Sara Thurber Marshall
Photograph by Yeager “Teddy” Anderson ’13.5
September 23, 2025

The Economics of Health Care

Students in Health Economics and Policy course help shape Vermont healthcare reform.

By Jon Reidel
Photographs by Daria Bishop
July 31, 2025

Thanks for the Memories

A student-curated exhibit explores the Middlebury experience through more than a century of undergrad scrapbooks.

By Jessie Raymond '90
Photographs by Todd Balfour
May 5, 2025

Fear Factor

A scientific model—and work of art—warns of the next pandemic.

By Jessie Raymond '90
Photograph by Jonathan Blake
April 4, 2025

From NESCAC to NFL?

Thomas Perry '25 has a shot at playing football on Sundays.

By Matt Jennings
Photograph by Rodney Wooters
March 11, 2025

Words in Space

A NASA interpreter bridges the language gap, one mission at a time.

By Jessie Raymond '90
Illustrations by Davide Bonazzi
February 15, 2025
View All

Essays

Writing & AI

I used to identify as a writer. Now that’s changing.

By Paul Barnwell '04, MA English '14
Illustration by Petra Peterffy
February 8, 2026

Q&A

Aubrianna Wilson, Middlebury Class of '23, seated in her wheelchair in a California garden

37 Minutes with Aubrianna Wilson ’23

A recent alumna isvdoing her part to create a world in which people with disabilities are seen—and celebrated.

By Jessie Raymond '90
Photographs by Joyce Kim
February 5, 2026

Quotation

A summer immersed in a language can do wonders, as veterans of Middlebury College’s famous language-learning program can attest. The lockdown is clearly going to amount to the equivalent of about two summers, and there are mini-Middleburys happening in millions of houses worldwide.”

—John McWhorter, writing “The Coronavirus Generation Will Use Language Differently” in the Atlantic.

Podcasts

The Exit Interview with Middlebury President Laurie L. Patton

With her presidency at Middlebury coming to an end, the host of this podcast becomes its final guest.

By Middlebury Magazine Staff
December 18, 2024

The Monterey Trialogue: A Distinct Take on Superpower Diplomacy featuring Anna Vassilieva and Peter Slezkine

Our guests for episode six of season three are Anna Vassilieva and Peter Slezkine, the folks behind the Monterey Trialogue—which brings together leading experts from the United States, China, and Russia for in-depth discussions of their countries' interests and concerns in the vital regions of the world.

By Middlebury Magazine Staff
July 19, 2024

Education as the Great Equalizer, featuring Annie Weinberg ’10

Our guest for episode five of season three is Annie Weinberg '10, the founder and executive director of Alexander Twilight Academy, an educational catalyst program in Boston, Massachusetts, that supports students from under-resourced backgrounds.

By Middlebury Magazine Staff
March 14, 2024

Review

Finding Redemption

A fractured sibling relationship becomes even more complicated when one sibling dies and leaves a shocking bequest.

By Sara Thurber Marshall
Cover art by C’est Beau Designs
March 24, 2026

Facing Facts

The producer of the documentary Gone Guys reflects on the very real struggles of today's boys and young men.

By Caroline Crawford
January 21, 2026

Editors’ Picks for November and December

By Middlebury Magazine Staff
December 20, 2025

Videos

Getting a Head

An ailing artwork from the early 20th century—recently donated to the College—took on new life when the Middlebury Makerspace used 3D printing to recreate heads and body parts that had gone missing over the years.

By Brett Simison
March 4, 2026

Green Haven

Middlebury's Bi Hall greenhouse is much more than a botanical laboratory.

By Brett Simison
February 8, 2026

The Exit Interview with Middlebury President Laurie Patton

With her presidency at Middlebury coming to an end, the host of the MiddMoment podcast becomes its final guest.

By Chris Spencer
Audio by Mitch Bluestein
December 20, 2024
Middlebury College
  • Alumni
  • Newsroom
  • Contact Us
  • icon-instagram

The views presented are not necessarily those of the editors or the official policies of the College.

© 2026 Middlebury College Publications.